Verehrte Körper, verführte Körper: Die Olympischen Spiele der Neuzeit und die Tradition des Dionysischen
Mischa DelbrouckToday, the Olympic Games, designed by their founder Pierre de Coubertin as a modern civil religion, appeal to the masses as a celebration of bodies in motion, as the greatest media event world-wide, and as a modern myth machine. The study examines the Dionysian (in Nietzsche's sense of the term) legacy of the modern Olympics, and discusses its impact with reference to four specific instances: Coubertin's Wagner-inspired theory of Olympianism; the opening ceremony of the Olympic Games in Barcelona (1992); Leni Riefenstahl's films of the Olympics (1936); the televising of the Sydney Games (2000).
کال:
2004
خپرندویه اداره:
Max Niemeyer Verlag
ژبه:
german
صفحه:
303
ISBN 10:
3110921111
ISBN 13:
9783110921113
لړ (سلسله):
Theatron; 43
فایل:
PDF, 9.34 MB
IPFS:
,
german, 2004